Tuesday, February 16, 2010

shell identification

http://www.seashells.com/




http://www.search.com/reference/Tulip_shell




http://en.wikipedia.org/wiki/Tulip_snail




http://http//www.malacolog.org/search.php?nameid=4983




Information References.










  • shell identification
  • common name: true tulip shell
  • Fasciolaria tulipa Linnaeus, 1758 - the true tulip
  • Size: 2.5” – 9.5” inches (6.4 – 24.1 cm.)
  • Range: It is mostly found in areas from the North Carolina coast all the way south and west to the gulf coast of Texas, also in the West
    Indies. Generally, it resides in 30 feet deep water and dwells in the sand or mud at the bottom.
  • Diet: Various gastropods and bivalves, especially its cousin, the Banded Tulip.
  • Color Patterns: The tulip shell is a white/tan with rows of darker brownish blotches of various sizes from the spire to the aperture. Over
    those are symmetrical rows of thin lines that spiral up the shell ever 1/8 of an inch or so.
    scientific classification:

  • Kingdom: Animalia

  • Phylum: Mollusca

  • Class: Gastropoda

  • Superfamily: Buccinoidea


  • Family: Fasciolariidae

  • Genus: Fasciolaria
    Lamarck, 1799

Thursday, February 4, 2010

my process

for these contour drawings i tried to use the little knowledge from last semester to get the whole body in the frame and place the s curve, ribs, and pelvis. knocking some of the dust off...:) i want to try to better my line quality and stroke.
3 words that describe my drawings light, shaky, and delicate

here's my blind contour and continuous line contour drawings. i found it really difficult to slow down and really look look at the subject.

Thursday, October 15, 2009

weekly catch up

So i was all excited about working with the manekins, but i have been having a lot more trouble than i thought i would. i haven't been feeling well, and missed the first day with the manekin, and now im paying for it, having trouble keeping up with the process.
On the drawing side of things; i really have seen improvements in proportion and perspective from utilizing the technique of the "egg" for the rib cage and expanding from there. i still have some notes to catch up on and i should go in for open drawing to get caught back up.